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Deutsch-Amerikanische Freundschaft : ウィキペディア英語版
Deutsch Amerikanische Freundschaft

Deutsch Amerikanische Freundschaft ((:ˈdɔʏtʃ ameʁiˈkaːnɪʃə ˈfʁɔʏntʃaft)) or D.A.F. is an influential German electropunk/Neue Deutsche Welle band from Düsseldorf, formed in 1978 featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl (drums, percussion, electronic instruments), Kurt "Pyrolator" Dahlke (electronic instruments), Michael Kemner (bass-guitar) and Wolfgang Spelmans (guitar). Kurt Dahlke was replaced by Chrislo Haas (electronic instruments, bass guitar, saxophone) in 1979. Since 1981, the band has consisted of Delgado-López and Görl.
D.A.F.'s most famous songs are "Kebab-Träume" and the grimly sarcastic "Der Mussolini" from the album ''Alles ist gut'', a pulsing dance song. The lyrics "Dance the Mussolini, move your behind, clap your hands, and now the Adolf Hitler, and now the Jesus Christ", caused a scandal.
In interviews they claimed to not target anything or anyone specific while creating lyrics to be taken as a parody of words and phrases floating around in the public media. "Sato-Sato" and "Der Mussolini" are both examples of songs written around Delgado-López's fascination with the sound of a particular word. A few months before the 2003 invasion of Iraq D.A.F. released "The Sheriff (An Anti-American Song)".
The album ''Alles ist gut'' (Everything is fine) received the German "Schallplattenpreis" award by the "Deutsche Phono-Akademie", an association of the German recording industry.
== Style ==
Görl described their sound on ''Alles is gut'' in ''Melody Maker'' in 1981:〔Quoted in ''Rip It Up'', ch. 18.〕
:Most bands get a synthesizer and their first idea is to tune it! They want a clean normal sound. They don’t work with the ''power'' you get from a synthesizer ... We want to bring together this high technique with body power so you have the past time mixed with the future.
Delgado described his new vocal style in the same interview:
:The singing isn’t like rock ’n’ roll or pop singing. It’s sometimes like in a Hitler speech, not a Nazi thing, but it’s in the German character, that ''crack! crack! crack!'' way of speaking.
The band determined early on that they would not sing in English. As Delgado later said:〔
:It’s not only a part of image. It’s a serious matter because DAF from the very first beginning didn’t want to imitate any American pop, rock or whatever. In fact we think there is a very strong American influence in culture, television, music, everywhere. So in the very first beginning one of our main content was to refuse to imitate rock ‘n’ roll, to refuse to sing in English. We don’t do that. We have our own identity. Our identity is not American identity.
As a lyricist, Delgado's concerns throughout D.A.F.'s recording career have ranged from sardonic reflections on ideology and political violence, to journeys into a very physical, even brutal, sexuality, sometimes related from a child's point of view. Having grown up as the child of working class Spanish immigrants in Wuppertal, and coming of age in the politically polarized era of the German Autumn (his response the left wing extremism of that time being thematized in the 2003 song "Kinderzimmer (Heldenlied)" (Bedroom (Hero Song)" ), he was blunt and unromantically detached about social reality in West Germany, and unapologetic about the provocative potential of his songs.
As performers and media personalities D.A.F. were, much like New York's Suicide, forerunners of later 1980s synthpop duos, such as the Pet Shop Boys and Soft Cell, in that the singer (in this case Delgado) appears relatively extroverted while the one who plays with the electronics (Görl) appears quiet and reserved. Visually, at least from ''Alles ist gut'' until ''1st Step to Heaven'', they cultivated a homoerotic image of black leather, muscles, hairy chests, and sweat. Gabi's hairy chest made a comeback appearance in the 2003 promotional video for "Der Sheriff", a song about the George W. Bush administration.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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